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Bingyi Spurlock

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Pasture Rose by Pierre-Joseph Redouté The Fifty-Three Stations of the Tokaido by Utagawa Hiroshige View of Xiao Xiang by Kenkō Shōkei Vase by Bernard Moore The Master's Tools Will Never Dismantle the Master's House by Audre Lorde Felix Gonzalez-Torres, Marina Abramović, Unconditional Love, 2024 Natalia Papaeva, Yokhor, 2018 printed matter, collage by Bingyi Spurlock for personal use Saori Baba Exhibition Mayumi Suzuki, “HOJO “The Pitfalls of Liberalism” by Kwame Ture, Stokeley Speaks “home videos from taiwan (1), Bingyi Spurlock “home videos from taiwan (2), Bingyi Spurlock “home videos from taiwan (3), Bingyi Spurlock
 

 

Pasture Rose by Pierre-Joseph Redouté

The Fifty-Three Stations of the Tokaido by Utagawa Hiroshige

View of Xiao Xiang by Kenkō Shōkei

Vase by Bernard Moore

The Master's Tools Will Never Dismantle the Master's House by Audre Lorde

Felix Gonzalez-Torres "Untitled" (Death By Gun), 1990 Baldwin Contemporary

"ghost…a border act," Ann Hamilton, Installation at the former Ix Factory, Charlottesville, Virginia. 2000. Silk organza, tables, video projection, and sound, dimensions variable. Photo by Tom Cogill. Courtesy the Bayly Art Museum.

Marina Abramović, Unconditional Love, 2024

Natalia Papaeva, Yokhor, 2018

printed matter, collage by Bingyi Spurlock for personal use

Saori Baba, "That Man, Peng Zhiwei"

Mayumi Suzuki, “HOJO”

“The Pitfalls of Liberalism” by Kwame Ture, Stokeley Speaks

home videos from Taiwan (3), Bingyi Spurlock